So here we are. The end of my countdown to my favourite Pearl Jam album of all time. I suspect this choice comes as no surprise to many of you. This is the album that confirmed to me that Pearl Jam were going to be a band that I would associate myself with for a very long time. I was already a fan after Ten, but this served as confirmation of my fledgling love for the band's music. Not only is it my favourite PJ album of all time, it is also my favourite album full stop (with OK Computer, In Utero and Superunknown closely behind). I am especially proud of the fact that I have one of the early pressings which does not have the title printed on the artwork (the final title was a late choice) - admittedly it doesn't make it financially valuable, but it does make it a very precious CD.
At the time, this album broke the record of being the fastest selling album of all time. The anticipation upon its release was huge. The band had begun to overtake Nirvana in terms of sales, and they were becoming HUGE. Although not a radical departure from Ten, it was seen as one of the releases of the early 1990s. It displays a passion and aggression not matched on some of their later albums (many PJ fans still wish that they would recreate the sound of Vs).
The album opens with Go and Animal, two frantic heavy rock songs. The two songs together are like a one-two from Ali. You sense that they barely draw breath between the two songs as the drums, guitar and bass are pretty frantic to say the least on the opening tracks (if you listen carefully to the end of Go, you can hear the sound of Dave's sticks flying across the room - he was being pushed really hard by the others on the song, and he threw his sticks in frustration) . Eddie's voice is as powerful as ever, the passion really begins to overflow as you reach the end of Animal. Without doubt this is the best opening to any Pearl Jam album - not even Last Exit and Spin the Black Circle can compete).
Daughter is a slow paced song, bringing the album to a period of calm. It is another example of the writing that Eddie is best at, using lyrics to tell a story. In this case, it tells the story of a girl with dyslexia. It also shows the band's new confidence working with acoustic guitars, a confidence they had developed as a result of their experience on MTV Unplugged. A staple on their tours, it has proved a very popular song with the PJ faithful.
Glorified G is a rant against gun loving Americans. Eddie was influenced on this track by a conversation between Jeff and Dave about guns. Most of the lyrics are apparently lifted from the conversation (although which ones, and how true this is, is open to debate). It works around a Southern sounding guitar and lyrics like 'Feel so manly/When armed'. A powerful song, Eddie seems to be in some pain as the song nears its end. Powerful stuff.
Next up is Dissident. This is the tragic story of a woman who is hiding a dissident before eventually she 'folded'. She then seems to regret the decision and casts her mind back to the events. Another example of the story telling style that Eddie seems to love so much, it is hung together on another beautiful guitar riff.
W.M.A (White Male America) has proved a difficult song for the band to reproduce live. Built upon a tribal drum beat, it hints at some future experimentation without straying to far from their usual sound. It tells the story of police brutality using such evocative lines as:
'Trained like dogsColour and SmellWalks by me toGet to him'
'Autopsy results showed Green died of at least 14
blows to the head in a Nov 5 beating that tore off part of his
scalp.'
'Cannot find a candle of thoughtTo light your name'
'Drop the leashGet out of my fucking face'
'I will make my waythrough one more day in hell'
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